简介:TheLishangwansiteislocatedinLuoshancounty,upperHuaifiverbasin,southernHenan.ThisregionissandwichedinbetweenthetwomajordrainagesystemsofChina:HuangheandChangjiang.Previousarchaeologicalworkinthisregionwasscanty;notmuchwereknownaboutitsNeolithicculturalfeatures,Withthisprobleminmind,weconductedasmallscaleexcavationintheLishangwansite,ItsNeolithicremainscanbedividedintotwosuccessivephases.TheirabsolutedatesshouldbecontemporouswiththatofQujiabngculture.AlthoughitsmaterialcultureiscloselyrelatedtothecontemporaryNeolithicculturestothenorthandtothesouth,itsuniqueregionalcharacteristicsaxeobvious.ThisexcavationprovidesuswithmaterialinformationforthestudyofthearchaeologicalcultureofthisregionanditsimplicationontheculturalinteractionbetweennorthernandsouthernChina.
简介:沈周与北京文官群体的交往,是关于沈周其人其艺研究中值得注意的现象。作为明中期文坛领袖并积级参与绘画品评的李东阳,是北京文官群体中具代表性的人物,且与沈周往来颇多。本文从李东阳对沈周绘画的鉴藏入手,结合存世绘画作品与文献记录,考察交往的建立与收藏途径、题跋与品评、鉴藏行为与沈周绘画的互动等细节,试图厘清以李东阳为代表的明中期北京文官群体对沈周及其绘画的态度。本文得出结论如下:沈周与北京文官群体的交往,有赖于苏州籍北京文官的促成,书画在其中发挥着重要的媒介作用。沈周的绘画能够在更广阔的地域产生需求,与北京文官的持续关注和频繁的鉴藏活动相关。北京文官的鉴藏行为,曾对沈周的绘画产生影响,而沈周在绘画主题与风格上的选择,也积极地回应并参与到了北京文官的生活和文化空间之中。